Thinking back on it, I became inspired to give a mini-tutorial of how I made my gargoyle. So, this is my first post on my new blog. Couldn't be more fitting than to start with "Garg," my little buddy!
|Brutus, the needle felted gargoyle|
Here are some photos of my process in creating Brutus, and a few notes about what I was thinking along the way, and why I chose to do what I did.
First things first... the wool and needles. (By the way, I get nothing for these recommendations other than the pure enjoyment of sharing things I love to use with others.) I used core wool from my two favorite online supply shops, FeltAlive.com and LivingFelt.com. (This took a lot of core wool, and I hadn't resupplied yet. I really hadn't learned enough to yet gauge how many ounces would make something of this size.) I also supplemented, since I was on a tight shoestring budget, with some acrylic stuffing I used for rag dolls I had been making. To my delight, it felted quite well! The "skin" layer is MC-1 cross batt from LivingFelt.com, in Storm Gray. I love the subtly variegated look to the color, that helped give that old stone look and some added texture. (By the way, I'm honored to have a photo of Garg on the LivingFelt website, showing off their Storm Gray!)
During my early projects, I learned very quickly that my favorite "go to" wool for sculptural needle felting is a nice cross batt. I use mostly the batts from the two shops I mentioned. It felts up faster and needs less finish work than a straight Merino, or top, or roving.
As for my tools, I predominantly used my beloved "workhorse" needle, a 40 triangle, from FeltAlive.com. I love Kay's rubber grips. (This one has the yellow handle.) I've since adopted her 40 short as my go-to workhorse. It's less fragile and goes like crazy. But I digress... the other tool I used was the Clover pen with the three needles. But I used it more for the core and larger areas to help go faster. I didn't have my Clover 5 needle punch yet, or I would have used that, or a double 40 or 40t spiral (which I adore!) from FeltAlive. That was it. Simple tools, few supplies. Part of what I adore about sculptural needle felting!
Ok, so, on to the steps themselves... I prefer to start with the head of any project, because it lets me jump right into the fun, and it gives me a good size-guide to follow. It seems easier for me to make a body the right size for a head, than to make a head fit a pre-existing body. That seems odd to me, but it's how my brain works, so I'll go with it. -grins-
|Core wool "egg"|
|Starting facial details|
As you can see on the right, the skull (what was the core "egg") has brows, huge cheeks and other parts added, and I'm beginning to lay in the areas for the details.
I think one of my favorite things to work on are the eyes. More than anything else, the eyes give personality and life. Once I get the eyes completed, my project becomes something special, and is a complete character...even when I haven't started its body yet!
|A face only a mother could love? Well, I loved it, too!|
The teeth, at this point, were nearly finished. I did a little refining and experimenting, and decided to go with the stone color instead of white. (After all, he's a "stone" gargoyle.) However, for some depth, I did lighten up the gray for the teeth and use a lighter gray on his horns (soon to come), so he wouldn't be "flat" looking. It was subtle, but worked very nicely.
Once I got the ears, horns and final details of the head completed, I set it aside and started making the body core.
This photo to our left is of the very basic core structure before it was built up very far. There is no wire armature. It's all tightly felted core wool. The body is two large "logs" wrapped and felted. Each front leg is one "log" piece. The hind legs...well, it turns out these that you see didn't work out. Sometimes that happens even with a great deal of experience. But this was only my third needle felted project at this point, so I was learning as I went. And my first significant roadblock were those confounded back legs. They became the temporary bane of my existence, I can tell you.
As I started building up the body, it reached the "plucked chicken" stage, which funny enough, all my sculptures go there, no matter what they are intended to be in the end. And, it always makes me giggle just a little...ok, sometimes a lot. Especially when I pick it up and make it dance...wait, too much information, huh? Where were we...
Once I had the body the size and rough shape I started felting in some skin tone, a beautiful heathery gray from Living Felt. Their MC-1 cross batt in Storm Gray. Loved it!
I worked on building up the body, and yes, was procrastinating on those hind legs. For awhile I was kind of at a loss on how to proceed, when one morning my eyes popped open and I had it all figured out! I make a wire armature for just the two hind legs. This gave me the ability to pose them how I wanted, but also, it gave me an easy solution for the back feet/paws/claws. So, here's what I did...
This gave me a very sturdy center and a well-defined knee joint. But it also gave me a great "bone structure" for the claw-paws, which I wanted to look beefy and very strong.
The leg wire is cloth-covered florist's wire, and the toes are pipe cleaners.
Once I made two of these the same size, I started wrapping...
I took strips of core batt and started wrapping the entire armature. Since I needed a lot of bulk at the thigh and knee areas, I didn't start wrapping the feet until I had most of the size and bulk in place for the leg. Then the final couple wraps I included the feet, going around each toe. I would wrap and stab, wrap more and poke more, until I got pretty close to what I wanted. And now I was happy with the back legs!
As soon as I started adding the skin color, I knew I'd found my answer. I just couldn't have been happier with the way the paws came out, and once both legs were covered with "flesh" I attached them and got his headless body in good shape!
The moment I stopped stabbing and knew the body was finished (except for claws and wings), I was instantly impatient to get his head on!
I've found since this little guy, that I always get very impatient to put the head on. Not only does it bring the character to full life, but it's the final stage, my favorite stage... the fine details! I love that part!
But first, the head!
To do this, I leave fringe on the neck and on the head both, and pull it back when I put the two together with a deep anchoring series of stabs with my largest needle (a 36 triangle), which is very sturdy...usually.
I carefully attach the head to the neck/body with a series of deep stabs. It only holds things in place lightly, but then I go all the way around with my workhorse needle, my 40 rectangle, and poke (still with the fringe pulled back) around the edge of the head into the neck in close felting jabs, and then reverse the process and go around stabbing from the body/neck into the head. This attaches the two pieces pretty well. So, I repeat, just to be sure.
Then I take all that fringe and lay it down over the "seam" and felt it all in thoroughly, so it all blends and looks like it's one piece. THEN, I take a fairly thin strip of the flesh color and wrap around the connected areas, so some of this strip is on the head side and some on the neck/body side, and I felt that all down very firmly. This is the final "glue" that very securely keeps the head on the shoulders, so to speak. (If you click the photo and enlarge it, you'll see the final wrap layer being added.)
Once the head was on, all I had were the talons, which I decided to keep short so his weight wouldn't keep flattening the ends. And then...
The last portion of this little beauty... his wings. (What's a gargoyle without big wings?) I took two piles of batt, each the size of my open hand plus a little more, and about three layers/pulls thick, I laid them side by side, and stabbed the shape in both, to keep the size and shape as similar as possible. I thought about making a quick paper pattern of the outline that I could stab, but...well, I often get impatient with extra steps, especially at the end of a project. I think the paper template would have saved me some extra stabs to get them consistent, so that might be a good tip for those of you who want to make matching items, like ears or such.
Anyway, once I stabbed the outline into the fluffs, I used my Clover 5 needle punch to flatten inside the stabbed outline. I then pulled the loose fibers inward to the flattened area and stabbed, pulling ever so gently to keep the outline stuck to my foam, to give me a consistent guide. I then pulled them up from the foam and started perfecting the shape, thickness, etc., so they were ready for definition and detail.
As you can see in the bottom (finished) photo, I added felted veins to give some depth and dimension. The black lines balanced his colors a bit, I think. And they also aided me in covering up the pipe cleaners I felted to the top (long) side of each wing. They stood up on their own, but wanted to lean forward, so just the pipe cleaner gave a little stability and pose-ability, and that little bit did the trick.